In Beethoven’s Fifth Symphony, a motto-resembling four-note rhythm starts the first movement. It creates a rhythm for tapping rather than a music melody, and its unsolved form gives the impression of an unanswered question. The sentiment conveyed by the C minor key within this motto in the first movement often mirrors different sounds, including a roar, a pulse, or a hum. The first movement is exceptionally passionate, and the rudimentary four-note rhythm is of primary significance. Overall, Beethoven’s incomplete melody thrusts the audience into the first intense sensation of the Fifth Symphony.
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If placed side-by-side with the first theme, the second theme can appear differently based on rhythm and style. The second theme of Beethoven’s Fifth Symphony has a unique beginning, which is distinct from the first theme. Unlike the suspenseful and dark opening to the first theme, the second one opens smoothly and gently. This effect is possible due to the distinct sounds of the lower strings. Consequently, the second theme is more triumphant and light because of the upbeat rhythm. However, the rhythms change does not allow the second theme to lose the beauty and richness that the first theme communicates. Overall, the rhythm of the opening moment is played repeatedly throughout the first movement, creating a coherent music piece.
The first movement of Beethoven’s Fifth Symphony is played at tempo’s ranging from 94 to 108 bpm. Thus, the tempo of this movement is considered to be Allegro con brio, implying that the music is played at a fast pace and with character. Lastly, the Fifth Symphony’s meter shifts between its movements, starting at 2/4, moving to 3/8, then 3/4, and finally culminating with 4/4.